Multicam sync across every camera and mic
Three cameras, a boom, and two lavs? Selects syncs all of them in one step and picks the cleanest audio source per speaker automatically.
A and B camera, separate audio,
Selects syncs and builds your interview edit before you open your timeline.
7 days free trial

A standard interview setup is deceptively fiddly to edit. A wide camera, a close-up camera, and a separate recorder for the good audio, because the in-camera sound never cuts it.
Before you can make a single creative decision, you have to line all three up. Match the clap or the waveform. Hope the cameras did not drift over a long take. Then decide, for every answer, whether you are on the wide or the close, and keep the clean recorder audio underneath the whole time. It is twenty minutes of housekeeping before the edit even starts, every single time.
Drop folder with raw media
Auto sync & edit in minutes
Handoff to existing workflow
Three cameras, a boom, and two lavs? Selects syncs all of them in one step and picks the cleanest audio source per speaker automatically.
Selects knows who's talking and switches to the right camera angle. Not random cuts. Cuts that follow the conversation.
Um," "uh," long pauses, and dead air. Gone. Automatically. Or keep them if your podcast style calls for a looser feel.
Handoff to Adobe Premiere, Final Cut Pro, or DaVinci Resolve. Project files are structured to fit your workflow.
Edits are non-destructive, and organized for clarity. Categorized bins, color-coded topics, markers and transcripts included.
Share transcript for paper cuts. Or export video if the Selects rough cut is ready to go.
| Editing 2 cam · 1h raw video | Editing manually | Selects |
|---|---|---|
| Total time | 6h 00m | 0h 20m |
| Multicam sync | 30m | included |
| Chunk into topics | 1h | included |
| Color label | 30m | included |
| Delete unnecessary clips | 1h | included |
| Transcribe | Impossible | included |
| Cut long silences | 1h | included |
| Cut filler words | 1h | included |
| Select best takes | 1h | included |
Professionals are already seeing the payoff.
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
It assembles the raw footage for you in 1 click.
Use Selects after shooting the video, and before you start your NLE. Get your raw footage prepped with the grunt work already complete, hand off to Adobe Premiere, Final Cut Pro or DaVinci Resolve to continue on the creative work.
What gets done
Great for these videos
A 2-hour multicam shoot typically processes in 20 minutes.
Processing time depends on file size and number of cameras.
Yes, Selects has an editing environment with timeline shortcuts that mirror Adobe Premiere, Final Cut Pro and DaVinci Resolve.
It also includes text-based editing, natural language visual search.
But most professional editors use Selects for the prep and assembly, then hand off a structured project file to Adobe Premiere, Final Cut Pro, or DaVinci Resolve for the final creative cut. It fits into your existing workflow rather than replacing it.
Most AI video editing tools work inside their own environment and produce a finished video you can't easily take further.
Selects is built for professional post-production workflows to handle the part before the edit: syncing multicam, organizing footage into topics, selecting the best audio, and removing dead air. The output is a structured project file that drops straight into your NLE. Editors stay in Adobe Premiere, Final Cut Pro, or DaVinci Resolve. Nothing changes on their end except they're starting from a clean, organized stringout instead of hours of raw footage.
Absolutely.
Selects works for any format where you're dealing with more raw footage than you need, whether that's a 90-second TikTok episode cut from a 2-hour shoot, or a 10-minute YouTube video from a full day of filming.
You can chat about your preferred clip length and pacing, and get a highlight-ready stringout in minutes. The shorter your final output relative to your raw footage, the more time Selects saves you.
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