Every camera and every lav, synced
Four cameras, the officiant's lav and a recorder at the back: Selects syncs them in one step, by waveform or timecode, and matches each voice to its mic. The vows play off the lav, not the camera across the aisle.
Shoot the wedding.
Skip the sync.
Four cameras, the officiant's lav, a recorder by the speakers.
Selects syncs the day, finds the moments, and hands you a cut to finish in your own editor.
Free plan, no credit card required
Prompt: Sync all four cameras and the officiant's lav. Vows audio under the walk out
A wedding is shot once, on every camera you own: two shooters, a locked-off wide, a lav on the officiant and a recorder by the DJ. Before you cut a frame, all of it has to line up.
Then comes the logging. Scrub the whole day for the first look, the rings and the line in the toast that made the room laugh, and pull the vows off the lav because the camera audio is across the aisle. That is most of the edit, and none of it is the film.
Four cameras, the officiant's lav and a recorder at the back: Selects syncs them in one step, by waveform or timecode, and matches each voice to its mic. The vows play off the lav, not the camera across the aisle.
Ask for the ceremony cut and Selects switches to whoever is speaking, then goes wide at natural moments. Set your own rules in plain words, like stay on the couple during the vows.
Search the day by what happened, not by file name. Ask for the first kiss or every laugh during the toasts, then ask for a three-minute highlight cut around them.
Hand the cut to Adobe Premiere, Final Cut Pro, DaVinci Resolve or Avid Media Composer as a project file, with every track, cut point and link to your original media. You add color, effects and transitions there, since they don't carry over.
| Highlight film · 4 cam, 8h day | Editing manually | Selects |
|---|---|---|
| Total time | 8h 30m | 1h 00m |
| Sync cameras and audio | 1h | included |
| Log the day's moments | 2h | included |
| Transcribe the vows and speeches | 1h | included |
| Pull the vows and toasts | 1h | included |
| Cut the ceremony angles | 1h 30m | included |
| Assemble the highlight film | 2h | included |
Professionals are already seeing the payoff.
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
Yes. Selects syncs 10 or more camera angles in one project, plus separate lav, boom and wireless audio, by audio waveform or by timecode.
Waveform sync needs sound that overlaps. A camera with no audio track, or a clip under about ten seconds, won't sync that way, so you place it by hand with markers.
Sync the lav with the cameras and Selects matches each voice to its mic, so the vows play from the lav, not from a camera across the aisle.
To choose for yourself, right-click any clip and pick its audio track, or tell chat, like keep the lav under the walk out.
Yes. Scene search finds moments by what's on screen, like the kiss, the rings or a full dance floor, and text search finds any line from the vows or the toasts.
Only analyzed footage is searchable. Analysis takes about 20 minutes per hour of video, counted file by file, and you can keep working while it runs.
No. Nothing is analyzed until you start it, and analysis runs file by file, so you can begin with the ceremony and the toasts.
If all you need is the sync, hand off the synced timeline with no analysis at all.
Yes. Selects hands off to Adobe Premiere (.prproj), Final Cut Pro (.fcpxml), DaVinci Resolve (.drp) or Avid Media Composer (.aaf) with your edit points, tracks, speaker labels and links to the original media. In Premiere and Resolve you choose whether the multicam arrives nested.
Color, effects and audio levels don't carry over, and transitions arrive as plain cuts, so the grade and the mix happen in your editor.
Yes. The cut is a draft on a real timeline. Trim it by hand with Premiere, Final Cut Pro or DaVinci Resolve shortcuts, or give notes in chat, like hold the wide through the processional.
Explore our help center for all articles
Download Selects and make your first edit today.
Free plan, no credit card required