Generate the shots you didn't film
Describe the shot and Selects makes it: the drone pass, the night drive, the product on a clean surface. It lands on the timeline next to your real footage, ready to cut.
Generate the shots you didn't film, animate the titles from a sentence,
and cut the 30, the 15 and the vertical in one pass.
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Prompt: Have Claude cut the three launch takes into a 15s teaser and hand it to Premiere for our motion designer
Prompt: Use this channel's cold open structure. Five seconds of build before the first word, end on READY?
Prompt: Match the pacing and cuts of this Reel. My clips are the mascara and skin close-ups, keep the serif titles on the open
Each one made by Selects from the prompt under it.
Every launch needs the same pile of video: a hero spot, a 15-second cutdown, a vertical for Reels, a six-second bumper, titles in the brand type, and captions for everyone watching on mute. Usually by the end of the week.
And there is always a shot missing. The product on a clean surface, the city at night, the angle nobody thought to get. A reshoot costs a day you don't have, and stock footage looks like stock footage.
So the video ships late, or it ships thin. Selects fills the gaps and cuts every version, and your team spends the week on the idea instead of the export queue.
Describe the shot and Selects makes it: the drone pass, the night drive, the product on a clean surface. It lands on the timeline next to your real footage, ready to cut.
Shot the demo on a single camera? Ask for a close-up, a side profile or a wider view of the same take, and the cut has somewhere to go.
"Every time I say a number, put it on screen." Titles, callouts and animated text, made from what you ask for rather than dragged out of a template.
| One launch · 6 versions | Editing manually | Selects |
|---|---|---|
| Total time | 12h 00m | 1h 00m |
| Shoot the missing shots | 4h | included |
| Animate titles and callouts | 3h | included |
| Cut the 30s, 15s and 6s | 2h | included |
| Reframe for vertical and square | 1h | included |
| Caption every version | 1h | included |
| Translate the captions | 1h | included |
Professionals are already seeing the payoff.
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
Not always. Selects can generate shots from a description and build a video around them.
Most launch videos mix the two: your real product footage, with generated shots filling the gaps.
Describe the look of your titles and captions once, the typeface, the colours and the size, and every version uses it. Anything it gets wrong, you change by hand on the timeline.
Ask for them. Each length and aspect ratio comes back as its own edit, so you can check that the six-second version still lands on the product.
Final Cut Pro and DaVinci Resolve hand off the same way.
Yes. Every result is a regular Selects project on a real timeline. Change any cut, caption or graphic by hand, or keep giving notes in chat the way you would to an editor.
Yes. Ask for captions in the language you need, and say how they should look.
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