A native .prproj, not an XML
Choose Adobe Premiere under Handoff to and pick 2024, 2025 or 2026. It opens as a Premiere project with your clips, tracks, cuts and markers in place, linked to your original media.
Open Premiere
on a rough cut.
Selects syncs your cameras, sorts the footage and builds the rough cut, then hands it off as a native Premiere project. You start on the creative edit.
Free plan, no credit card required
Choose Adobe Premiere under Handoff to and pick 2024, 2025 or 2026. It opens as a Premiere project with your clips, tracks, cuts and markers in place, linked to your original media.
Your Selects folders become the project panel, every draft becomes its own sequence, and topic titles arrive as markers or captions. Speaker labels come across, and clip color labels arrive on every track.
Nest the angles into one sequence, or give each camera its own track and switch in Premiere. Every multicam handoff includes a multicam sequence either way.
Connect Claude Code, the Claude desktop app, Codex or OpenClaw over MCP and ask for the cut and the .prproj in one prompt. Selects just needs to be running on the same computer.
Type what you want the way you'd tell an editor. These are real prompts, and the clips are what came back.
Prompt: Have Claude cut the three launch takes into a 15s teaser and hand it to Premiere for our motion designer
Prompt: Make a 12 minute rough cut of the interview from her answers about the first product, in the order she tells it
Prompt: Sort the footage into A-cam, B-cam and audio folders, then string out the best take of every line
Prompt: Sync the three cameras and both lavs, cut to whoever is talking, and go wide when they laugh
Drop in the whole shoot
Ask for the sync, the selects or the rough cut
Hand off a .prproj and open it in Premiere
| Prepping an interview · 2 cam, 1h raw video | Editing manually | Selects |
|---|---|---|
| Total time | 4h 00m | 0h 45m |
| Sync both cameras and the lav | 30m | included |
| Sort footage into bins | 20m | included |
| Transcribe and log the answers | 1h | included |
| Cut long silences and filler words | 1h | included |
| Switch camera by speaker | 45m | included |
| Mark topics for the edit | 25m | included |
Professionals are already seeing the payoff.
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
The client said they wanted it super fast.And the only reason I'm not worriedis because we are using Selects.

The Chef Gal (@dachefgyal)
DP, Producer & Editor based in NYC
This will actually look at the video,and it'll catch those reaction shots,those subtleties that all others are gonna miss.

Brent Pierce
Podcast Studio & Video Production Company Owner
Honestly,this is one of the best editing toolsI've tried in a long time.

Serge Morgotch
Video Editing Educator & Creator
This is what AI should really be about,helping us filmmakersrather than taking our job.

Luca Epifani
Filmmaker & Video Creator
A brand-new AI editing softwarethat has literally changedmy 20-year workflow overnight, permanently.

DJ Kerr
Video Editor / Motion Graphics Artist
The structure of the edit, linked to your original media:
Effects, transitions, color, text and graphics, keyframes, position and scale, and volume changes. Transitions become plain cuts, graphics arrive as gaps, and captions arrive as text without their styling.
Selects warns you before the handoff when it finds any of these, so if you finish in Premiere, that's where they go.
Your choice. With Nest multi-cam on, the angles are nested into one sequence. With it off, each camera arrives on its own track, and Enable all multicam angles brings every camera across enabled.
A multicam sequence is included either way, so you can switch angles in Premiere without handing off again.
Yes. Import the .prproj into Selects and its synced sequences come in as synced timelines. Retimed clips and nested sequences are skipped.
Working from proxies? Make them in Premiere, import only the proxy folder into Selects, and relink to your camera files after you open the handoff.
No. Selects is its own desktop app for macOS on Apple Silicon and Windows 11. You can finish the edit in it, or hand the project file to Premiere when you'd rather finish there. Selects is an Official Adobe Video Partner.
Explore our help center for all articles
Download Selects and make your first edit today.
Free plan, no credit card required